Art History

2007The selected house paintings of Hans Memling and Raphael are united by the similar point , for they visualize pure Mary , however , this similarity alike graphically emphasizes the signifi poopt differences in their elan and proficiency . To graduation exercise with , Hans Memling was a 15-th degree Celsius Netherlandish panther , aligned with the Bruge rail . His act bloody commiseration with Martin van Nieuwenhove indicates a strong wreak of the style of another(prenominal) Netherlandish painter - Rogier van der Weyden , which is known for its formal exquisiteness , feature with hammy intensity . Instead of robust Campin s considers , both Rogier and Memling use stretch attractive shapes . In this picture Memling s bloody shame is nearly in the centre of the canvas . Her oval and very proportional appear i s further elongated by the framework that runs down on both sides of her face . Her figure can nearly perfectly be inserted in a triplicity . This creates formal perfection of the picture , which conveys the sense of harmony what is more , it is typefaceistic that the selected painting depicts Martin van Nieuwenhove as bloody shame s fry . Memling was famous for his dictation in painting portraits , thus he depicted his donor Martin van Nieuwenhove as JesusThe Italian painter Raphael belonged to the Florentine school of painting . His canvas depicting Madonna with Jesus and illusion the Baptist indicates the impact of da Vinci s pyramidal structures at the same cartridge holder unmistakable is Raphael s style of move , spherical shapes and warm influence . The motive of young prank the Baptist , who is depicted as an babe , is a typically Florentine shank . A distinguishing frolic of this Raphael s picture is its dynamic character : the inner energy of Virgin Mary and two cleric children is expressed in elegan! t and gracious moves (whereas Memling s Madonna is portentous and staticThe theme of Madonna and her child is a Christian edition of the recurring theme everlasting(a) and child in art , which was open up in Egyptian , Greek and Roman art .

The painters in the 15th and sixteenth century must have been attracted to this theme , because art in that period was largely devoted to sacred subjects . According to the act Council of Nicea , the image of Jesus and his mother were to be venerated , and since that time Madonna and the child became superstar of the most fashionable subjects within European visual art (3Comparison of da Vinci s The remnant Supper from the 15th century and T intoretto s Last Supper reveals significant evolution in painting style and technique , representation of the human figure , religious purview and artist s position in societyIn foothold of technique , da Vinci s painting is remarkable for its realism , which is grounded in his profound intimacy of biology physiognomy and technical laws of persuasion etc . For this canvas Leonardo decided to use not the tralatitious fresco technique , but the dry or poster paint technique , which allowed him to work in fits and starts and paint for more than at a time on one surface (and later caused tremendous problems for saving of this picture . Whereas Leonardo s painting...If you want to get a large essay, order it on our website: OrderEssay.net

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