The origins of the Stanislavski form are in naturalism, positivism, Marxism, photography, Darwin, electricity, and realism. There is no mavin technique of acting and before Stanislavski there was no ashes at all. He created a system of training wherein imposters would inquiry the situation created by the script, break down the text fit to their reference books motivations and recall their own experiences, thereby causing actions and reactions according to these motivations. The actor would ideally make his motivations acting identical to those of the character in the script. He could then replay these emotions and experiences in the role of the character in order to achieve a much good performance. The 17th Century melodrama Tsar Fyodor was the first production in which these techniques were showcased. Stanislavskys goal was to find a Universal Method/System that could help the actors. To sum everything up Stanislavsky said this about his System. realise your own method. Dont depend slavishly on mine. Make up something that will work for you! But keep breaking usages, I beg you.
Born in Moscow in 1863, Constantine Sergeyevich Stanislavski had a more profound effect on the process of acting than anyone else in the twentieth century. At age 14, Stanislavski joined a house group organized by his family, and soon became its central figure.
passim the late 1800s he improved as an actor and began to scram and direct plays. In 1898 he co-founded the Moscow Art flying field with Vladimir Nemirovich-Danchenko. One of the companys first productions was Anton Chekhovs The Seagull. It was then that Stanislavski began developing, based on the realist tradition of Aleksandra Pushkin, his famous System. It was his assertion that if theater was going to be meaningful it needed to move beyond the external mental representation that acting had primarily been. Over forty years...
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