Song of the Unsung Antihero Abstract: The sober treatment of a lowly, unheroic maven in Arthur Millers Death of a Salesman flatters the audience. The more axiomatic way that it flatters us is by alienating us from the protagonist in his downfall so that we watch his destruction from a secure vantage. Less obviously, the form of the play, typical of modern Ameri faeces tragedy, romanticizes the protagonist through what I call the audiences paradox, that tension created when a serious work of literature employs an obscure and lowly division as protagonist and so makes him the center of our attention, makes him famous.

Many 19th and twentieth century writers seek to leave the experience of a lowly subject chafing against his obscurity. But how can an author convey such an experience when the very attention of a readership confers upon the character social significance and dignity, even fame? Exactly how obscure can Jude be when he has a four-hundred page novel scripted ...If you want to get a full essay, order it on our website:
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